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Climbers are noticing rocks along the summit at times when only snow appeared. This piece is a call to consciousness to our current situation as protectors of this region. I hope to reconnect with the local audience to bring awareness around this issue.
He has also studied Buddhist philosophy under various Buddhist masters in Nepal. Strong as Paper. If I have to describe how we deal with the constant negotiation with life, I always refer to the Taoist aphorism that says we have to be "strong as an oak and flexible as bamboo. The books I used are related to "Everything is True, Everything is False" from Calderon de la Barca, a Spanish author, poet and dramaturge of the s. Having found these and other texts destroyed by termites, I have cut thin pieces of the pages in order to paste them again forming a reticulate.
The 're-doing' of the book with the very small particles is a metaphor of reconstruction. Shades of Seeds and Melting Ice. The melting cube of ice displayed in this historic courtyard references the disappearing Himalayan glaciers and the increasing scarcity of water in the region.
It also features work by Paul D. Miller aka DJ Spooky , with a sound and multi-media performance, Ice Synchronism, projected on the ice block to highlight the effects of climate change in the Arctic and Antarctic and around the world. The melting process is recorded for webcasting.
The multitude of colors, shapes, and sizes of these precious seeds represent nature's complexity. Harbingers of life, they are now more vulnerable due to the corporatization of agriculture and climate change.
These two installations will hopefully inspire viewers to help mitigate the effects of our warming planet. Bio of Artists. Born into a family of poets and writers, Jyoti was exposed to art and literature while growing up in Darjeeling, Varanasi, and Kathmandu. After moving to the United States, he began creating multimedia work that reflects an intimate relationship with nature and the cultures of both North America and South Asia.
The artist currently divides his time between his studio in Bellingham, Washington and Kathmandu, where he pioneered public art installations that address political, social, and environmental issues. Flying Nagas. In pursuit of the skills necessary for my work, I apprenticed myself to the grandson of the historically recognized master of the form, Rabindra Shakya of Ukubahal, Patan, whose family lineage dates to the late sixteenth century. In my work the Naga, the protector serpent deity of the Kathmandu Valley, represents the forces of the earth in acute distress.
The imagery of the Naga--both an indigenous and universal symbol of the rains and water and the integration of opposites--provides the vehicle for visual commentary on climate change and environmental duress. The writhing, twisting forms of the serpents ascend, attempting to flee from the fouled and heated earth, while black plastic bags, bane of Kathmandu, swirl ominously about them, entangling and impeding their flight. Rushing down from their fragmented forms are torrents of crushed stone, the detritus of polluted waters.
Their gilded skin streams in tatters, referencing the erosion of indigenous cultural values that once sustained them and the earth. Maureen Drdak is an American global artist whose work is concerned with the contemporary visualization and convergence of universal archetypes and paradigms. Her work has taken her to Europe, North Africa, the Middle East, Southeast Asia, and the Himalayas, and is represented in public and private collections throughout the world.
A graduate of the Pennsylvania Academy of the Fine Arts and the University of the Arts, recipient of numerous prestigious awards, residencies and solo exhibitions, she is the USA.
Portable Sauna. Wood, Towel, Clothing, Audio I am interested in the elements that influence social interstices, our physical and emotional relationship to objects and space, and the effect of environment on quotidian rituals.
I am inspired by the shifts in social habits and traditions from culture to culture and employ firsthand and field research to explore the roots for these deviations. Through this process I am developing awareness for how culture affects the role of domestic space, how and why we shape it as we do, and how environment impacts social dynamics. I lived in Finland for two months in working on projects that investigated cultural catalysts for social space. I learned about the importance of the sauna in Finnish daily life as a social meeting place and I became fascinated with the idea of the sauna as an instigator for social exchange and serious discourse.
I developed Portable Sauna as a way to understand these special phenomena and to share these experiences and discoveries. During the exhibition the viewer is invited to enter the sauna and listen to conversations recorded in saunas from around the world. These recordings discuss personal accounts, memories, and ideas on how or why the environment has changed over the past 30 years. My goal for Portable Sauna is to re-create this important social space in a new context and instigate new conversations in as many locations, cultures, and environments as possible.
In the fall of , I traveled to Haiti to explore the social, economic and political divisions through the vast diversity of landscape. Part of my research involved documenting the border between the Dominican Republic and Haiti through aerial flyovers and on-the-ground site visits.
The Dominican Republic has a lush green tropical forest and is economically thriving due to protection laws and robust tourism. In contrast, much of Haiti has a desolate landscape with vast areas of erosion and is now virtually treeless. Even pre-earthquake Haiti had no energy infrastructure, so the struggling population cut the trees to makes charcoal for heat and cooking. This lack of infrastructure is what made the effects of the earthquake so particularly devastating.
Though often seductive at first glimpse, these landscapes are full of turmoil and discord. Blane De St. Croix is an American artist based in Brooklyn, New York who works in sculptural objects, installation and drawing.
His work has been included in solo and group exhibitions nationally and internationally, including the UK, Ireland, Lithuania, Mongolia, and Japan.
He received an M. When a war ends, it is up to those who are left behind to pick up the pieces. The parties who pushed people to war — the politicians, the government, and many on the sidelines — have moved on. But the void created by violence and the scar left by the upheaval lingers in the collective psyche for years to come.
This absence then becomes a presence in memory and in story. This sculptural installation work uses a calf as a metaphor for the violence and senselessness of a war that has scarred the public psychic and changed the trajectory of the socio-political discourse in Nepal.
I chose the image of a calf because of its symbolism and spiritual relationship in an agrarian society as well as its meaning within the dominant Hindu religion. In this work, the audience will find materials that meet in transitory states -- seemingly solid and substantial but also contemplative and ritualistic — and provoke a reflective conversation within the viewer.
He has participated in numerous group shows and won grants and fellowships from the University of Wisconsin-La Crosse, University of Tulsa and elsewhere.
The minute medley of sound, voice, movement, light and technology uses classic Buddhist chants that teach on the interconnected nature of the human condition, mind and ecology, while lights interact with real-time sounds made by the artist and participants. KORA respects and incorporate the ancient wisdom of Buddhist teachings and their connection to ancient Hindu and Sanskrit wisdom while presenting that wisdom in a modern context, focusing on the core message of respect for the self, others and the environment.
She creates art that empowers and inspires social and inner change, working and collaborating across: sound, music, performance, paint, film and interactive technologies.
Gaynor has worked and exhibited not only in galleries but also in unorthodox online, media, public and natural spaces worldwide for over 25 years. She is also an exponent of collaboration and is director of t. Nick Rothwell is an experienced programmer who has worked collaboratively with many world-class artists and as an artist in his own right globally. Images rooted in nature have become her prime interest. Tully is currently based in New Delhi, India.
Video Installation My work in general is about sharing my art work with people in the streets, mountains, and villages. I work on finding the relationship between the human body, the soul, and all the things around them.
I started this work with paintings and then developed it to include my own body. My ongoing project is about how cheap the human body has become in our society, and how it is treated like a commercial product, much like a box of tomatoes, to be sold in the market.
I believe that being in Kathmandu, with its different nature and culture; will push me forward to create more dynamic and different art works. Ibraheem Jawabreh is a Ramallah-based visual artist born in in Aroub refugee camp, Palestine. Trained as a printer, his work now relies on performance strategies and often engages public space. More recently he has become interested in developing his body-based performance work with ideas connected to land art.
Touch of Gold. I let things grow. I sow the seed and turn to other people to help grow the crop. The globe-spanning process is an integral part of the artistic concept: to bring self-made glass pieces and combine them with a piece of nature from Nepal.
This combines different energies: the artistic idea, guided by a Dutch sculptor, combines with the glass, which is made in the Czech Republic together with Czech glass blowers, until it all comes together in a sculpture in Nepal.
Earth, Body, Mind. Maria Roosen is a Dutch sculptor who lives and works in Arnhem, the Netherlands, frequently using glass, wood, and other natural and found objects. She is the recipient of several awards for her entire body of work Singer Prijs, , and Wilhelminaring, and has had numerous solo exhibitions in the Netherlands and Belgium as well as exhibiting nationally and internationally at group shows in Europe and Kathmandu.
Born in , she graduated in from Arnhem Academy of Art and Design. Infiltration of Darkness. Though human beings are generally sensitive and can comprehend the strengths and weaknesses of society, this realization varies between individuals. I feel that sensitivity, intellectuality, and equal economic conditions are absent in our society.
Do we consider how our own social status may affect our thought process? Do we notice how much we are affected by the imbalance of intellectuality? Illiteracy and ignorance can give rise to stunted or erroneous ideas that can affect society and the nation as a whole. Even in developed countries, if leaders do not let go of their ego and succumb to disrespect, selfishness, anger and hatred, these colossal negative emotions can harm the whole world directly or indirectly.
At present we are facing an economic crisis, religious discrimination, political incompetence and harrowing environmental changes that threaten the core of our existence. I believe that our woes are created by a handful of people who hold key positions of power.
It is these decision makers who unknowingly create the tragic backdrop of our lives. My present works deal with personal travails and angst -- the suffocation I am subjected or that society is subjected to -- at the hands of these unenlightened leaders.
Sunil Sigdel was born in in Pokhara, Nepal. His works involve socio-political crises in his country and the globe. Sigdel has had six solo exhibitions and a number of group exhibitions in Nepal and abroad, and has participated in workshops and residencies in Nepal, Scotland, India, Taiwan, Sri Lanka, Bangladesh, Denmark and Pakistan.
The recipient of several awards in the UK and Nepal, he is a freelance artist living and working in Pokhara. My Expectation! My Future! Home is a place where we can stand. Home is not only a concrete house that is made by humans. Home is where the mind settles. Home is a space of warmth. Home is a space where we can feel secure.
Home is a destiny. My works looks at the importance of space, which is so essential for life. Life cannot exist without the earth — the place we live, our shelter -- yet the earth can exist without life.
Our lives begin, end, and become a part of the earth. Likewise, for unborn babies, the womb is the shelter where life begins, a place of warmth, an individual space for individual growth. Shades of red pervade both the installation and painting. The painting focuses on images of the fetus, each in its own singular space, yet sharing a larger space.
In the installation, transparent red balls hang in a circle, with an empty space inside the circle where we can go. The form is sensitive to human interaction; if anybody touches it, the form can change. Each balloon contains the ink drawing of an unborn child, turning it into a womb-like space, while the larger form represents the space of the earth.
Sunita Maharjan is an emerging artist who had the distinction of being the first young artist awarded a six-month residency by the Kathmandu Contemporary Arts Center KCAC , in Jamaraa Might Not Exist.
Tsho Rolpa,in the last six decades, has grown over six fold in area as a result of glacial melt, providing evidence of global warming. The increasing volume of water poses risks as well as opportunities. In order to depict water as the vehicle of change that it is, I use eight snapshots of Tsho Rolpa in the last six decades, associate a patch of Jamaraa with each snapshot, and provide each patch with an amount of water proportional to the area of the lake with which the patch is associated.
The different patches respond differently to the amount of water I provide them; the ones receiving more water grow denser and taller. The size of each patch is also proportional to the area of Tsho Rolpa. The patches are kept at different heights, with the height corresponding to the average global temperature during the point in the timeline with which it is associated.
Moreover, in order to locate different points in the timeline, I present the images of Tsho Rolpa against the backdrop of some major events in world history. His objective is to contribute to a culture based more on science than on misinformation.
His work is inspired by ideas in psychology and cognition, history, political economy, sociology, science and mathematics. By using the language of various mediums, he investigates the relationship between disciplines which are traditionally considered mutually exclusive. He works to create conceptually strong pieces that compel the viewer to consider issues or ideas from a perspective that might be unfamiliar. Poetry unfolds in the waste dumps near rivers of Kathmandu.
Things once used are disowned, deemed unsuitable to hold the burden of our lives. As the river flows, objects appear like images in a poem: a shoe, a broom, a flash of white plastic, the pink of a slipper. The installation, consisting of these images, creates a space for immediacy and reconnection with what has been discarded and abandoned.
Born in Nepal in , Pradhan works primarily in video, photography, multimedia installation, and performance. Her work evolves out of spontaneous association, improvisation, and appropriation of activities, objects, images and sounds gleaned from her everyday surrounding.
Eastern philosophies consider the lotus flower a symbol of purity, free from materialistic wants. In my work, the lotus flower, which grows out of mud and rises above water, is presented as a body which is holy, clean and kind hearted. The lotuses appear in three different colors: a pure and holy pink lotus; an unholy black lotus; and a half-black and half-pink lotus, which shows that even a pure heart, under different circumstances, can transform into something negative.
All human beings are born selfless. The body then also becomes impure and its deeds become negative. From pink, we can turn into pink and black, and then into complete black. In my year painting career, I have always included a lotus flower in my works.
In traditional Nepali painting, all physical and spiritual knowledge are symbolically presented, and the lotus flower is very important in this symbolism. Lok Chitrakar is a renowned painter in the tradition of Newar paubha paintings, the ancient Kathmandu equivalent of Tibetan thangkas. Petersburg, Russia; and other private and public collections. It will be years before these plastic bags decay, and even then, they will be distributed into plastic dust.
By the time that diffuses, more plastic bags will be added to this vulnerable land, poisoning the once-fertile earth, water, animals, humans and the whole environment. This work is inspired by the work of geologists and archeologists, who drill under the earth, into the deep sea bottom, and under rocks and ice to bring up core samples that reveal intimate details of the climate and fauna of the distant past.
My work presents a core sample of earth layered with plastic bags: thin lines of plastic piled with clay or mud and shaped, like core samples, in cylindrical or rectangular pillars. These are core samples of our values and samples of the future that awaits us. His artworks relate to contemporary social, cultural and environmental issues through painting, installation and a variety of mediums. His works have been exhibited in national and international art exhibitions and residencies.
Research tells us that nine million people die in the world each year because of pollution. The dirt, dust and smoke of Kathmandu cause respiratory problems, asthma and other diseases. Pollution has changed the lifestyles of Kathmandu residents; from people in the streets to motorcyclists to public bus riders, from children to the elderly, we have begun to use masks. This solution of wearing masks, both as compulsion and fashion, grabs my attention.
Personally, I find wearing mask uncomfortable. It asks the question: Why do people use masks? How do they feel when they wear one? Bio of Hit Man Gurung. Born in in Lamjung, Nepal, Hit Man Gurung has done numerous nonconventional art projects, group exhibits and workshops. I am sending the things that science has created—the things mankind has created—back to the sun. The discoveries, technologies, and inventions of humanity have been acts of creativity, yet we are responsible for so much destruction.
Working in tandem with this power to create and destroy are our perceptions of the world and each other. Religious groups have fueled massive differences in how people perceive the world, and our inability to see past these differences has led to war. We have created a situation of panic as we try to find another home, another planet, another place to live.
At the rate we are going, it looks like we are in search of a new civilization. Birendra Pratap Singh's work conveys multiple perspectives of people and their environments, from the landscapes of nature to the cityscapes of ancient towns.
His paintings and drawings are often filled with primal figures, expressive and distorted, giving ancient resonance to contemporary issues and personal emotions. The Dawn of the Photosynthesizers. What would happen if people could carry out photosynthesis? Imagine this: We would escape the money system and change economic structures.
We would avoid the system of land ownership and possession of natural resources. We would have fewer hours at work and more of our own time. Natural energy would be used efficiently. Our bodies and minds would be healthy; we would live in harmony with the environment. I actually planted a seed of muskmelon in my left chest, and monitored the passage of the affected area for a certain time. The project is half-fictional and half-realistic and functions as an allegory of contemporary life.
It envisions a mentally altruistic human existence through physical symbiosis with plants, which are seen as being on a higher spiritual level. The Photosynthesizers the photographic series completed as part of the Photosynthesizers. A fascination with transmutation and the natural world runs through the work of Shiina Takehito.
His innovative projects include the Volcano Works, which took him to active volcanoes in Japan, Italy, and Hawaii, USA to create clay sculpture burned into terra cotta by the heat of magma. He often engages with the community and new media in his experimental blends of the fantastical and the concrete.
I travel through matter; matter within and without, from the macro to the micro dimension. Organic world in continual change. Mutation, transformation, life cycle like perpetual flow……. The spectators are absorbed by an atmosphere of suggestive audio-visual impact with the sensation of matter in movement. The scenery consists of two sheets decorated with a pattern. One is the background; the other is the ground. Everything else is black. The dancer's body is decorated in the same way; this gives a strong hypnotic effect of mimesis.
At the beginning the body appears as a shade in an inky liqueur; the dancer is seminude, yet her skin is decorated and sheltered by 'filaments' that produce viscidity and vibrations.
The separation happens in a gradual way, but its completion is marked with great intensity by the dancing. A rebirth is in action, and the public becomes witness to its mutation. In the second part, the energy created reveals itself through a new being, whose dance is liberated in a direct, sometimes crude way, and touches the extremes, lingering there. Its evolution takes us to words, and then to the epilogue. In , she opened the Sala Hernandez Centre, a performance and teaching space in the historic centre of Catania for Butoh and other disciplines, including Tai Chi and Yoga.
Geremia has staged numerous works as a choreographer and dancer. Since , she has also been a Shiatsu therapist. Holy Geographic Elephant. Holy Geographic Tree. Holy Geographic Mountain. I do not see why there should be so many nations, why there have to be so many borders plotted on geographical maps.. Let's always remember: they're just lines laid down on a sheet of paper. They have not been laid down anywhere else..
Neither on the earth nor in the sky. They have been made up by man. In reality the earth has never been split up into many bits and pieces. The world belongs to us: one humanity, one land, and we can turn it into a paradise… - Osho Rajneesh. For me, the act of drawing maps is a kind of prayer and a request for Unity. He frequented India after graduating in from the Faculty of Architecture in Florence, found it to be a true rebirth, and started a journey of union between art and life that he still follows as an artist, architect and professor at the Academy of Fine Art.
Many cultures of the Ancient East hold archetypical beliefs that these four elements of creation are sacred. Each element has its angels to protect and care for it. But in our modern world, humans have forgotten their local beliefs, customs, and the holy traditions of the past, and forget to preserve the sanctity of these resources.
Today, the need to care for the Earth is greater than ever. The Earth is our legacy for future generations. We have to believe in our beliefs. Hojat Ollah Amani is an Iranian artist fascinated by angels, their symbolism, and their links to the ancient mindscape of Iran and the Near East. He explores light, color, and the place of humans in their environment through his culture-laden artistic flights, which have been widely exhibited in Iran and showcased in the UK, Dubai, Greece and Lithuania in exhibits devoted to new and innovative Iranian art.
Born in and trained in Persian calligraphy, Amani also holds a B. Plastic Art. Man — woman — fish. Plastic, for me, is a symbol for all pollutants. Iranian eco-artist Fereshteh Alamshah is a video artist, painter and visual activist whose art compels viewers to look, think and feel in new ways about our shared and damaged environment. The Yamuna is a holy rivers around which many cities developed, one of them now known as Delhi.
I generally go there once in a while to see the water situation and to talk to the people living around it. Sanjay, boat rider and dweller on the banks of the Yamuna, takes me on boat rides. Every time, the river stinks more and more like sewage, and every time, I get breathless with the smell. As soon as the river enters Delhi, the water becomes like black ink from industrial sewage.
I feel very sorry for the poor and homeless dwelling around the river, as they live by that water,drinking, cooking, washing, and bathing in that contamination. Most of them have skin diseases.
I am sure they must have other problems, too, drinking that water. Some way or other, this water effects all the people living in the cities around the river. I wanted to capture the moment of depression in a playful, satirical manner by collecting sediment from the river and using it as Indian ink, charcoal or color to mirror the situation to all the consumers of the products of those industries that pollute the river.
These are mechanical birds made of crafted metal. I focus on the work as an alarm about the extinction of birds and other species from the globe.
This is an old form of toy, which used to be common 10 or 20 years back, but is now banned for safety reasons. It is only available as a collectible. She has held several solo shows of her work in India and participated in group exhibitions in India and abroad. Her work is in the collection of Casoria International Contemporary Art Museum,Casoria, Italy, and several public and private collections.
Poison in the air, the earth, and the water. Poisoned minds, bodies, psyche, societies. In the ancient, still popular story, Shiva swallows the flaming mass of poison, which threatened to destroy the universe, keeping it in his throat, becoming the blue-throated one, Neelkanth.
An inquiry into the possibility of transformation of toxins, this installation seeks to reflect upon both our fragility and power as human beings at this point of history.
The work evokes both fragmentation and harmonic pattern. Can the city be a Mandela for the generation of knowledge from the mass of information that floods us? Can we, like the archetypal Neelkanth, find means of containment and transformation? Can we make nectar from poison? I got several DK volumes, such as a multilingual visual dictionary for my kids.
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Photos 5. Top cast Edit. Lamont Bentley Rashad as Rashad. Ken Page Dr. Raymond McHenry as Dr. Raymond McHenry. Maia Campbell Nicole as Nicole. Jennifer Lopez Lucille as Lucille. Paula Kelly Sweets as Sweets. Michael Beach Isaiah as Isaiah. Shar Jackson Janelle as Janelle. Malinda Williams Candi as Candi. Juanita Jennings Mrs. Delong as Mrs.
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